2 edition of Aldine Press, 1494-1598, the first century of scholarly printing found in the catalog.
Aldine Press, 1494-1598, the first century of scholarly printing
Stanford University. Libraries. Dept. of Special Collections.
1973 by Dept. of Special Collections, Stanford University Libraries in Stanford, Calif .
Written in English
|LC Classifications||Z232.M3 S8 1973|
|The Physical Object|
|Pagination|| p. :|
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The Aldine Press,the First Century of Scholarly Printing [Department of Special Collections Stanford University Libraries] on *FREE* shipping on qualifying offers. The Aldine Press,the First The first century of scholarly printing book of Scholarly Printing. THE ALDINE PRESS,THE FIRST CENTURY OF SCHOLARLY PRINTING.
[none stated] on *FREE* shipping on qualifying offers. Limited Aldine Press copies. Introduction by Julius P. Barclay. Some curling around edges.
8 pages. stiff paper wrappers. 4to. Get this from a library. The Aldine Press,the first century of scholarly printing. An exhibition of books from libraries in the San Francisco Bay area designed to illustrate the contributions of the Aldine Press to Renaissance scholarship and learning.
[Stanford University. Libraries. Department of Special Collections.]. The Aldine Press,the first century of scholarly printing. The Aldine Press: catalogue of the Ahmanson-Murphy collection of books by or relating to the press in the Library of the University of California, Los Angeles: incorporating works recorded elsewhere by Los Angeles University of California (Book).
The year marks the th anniversary of the death of the great printer and publisher Aldus Manutius (c. ), an Italian humanist scholar who founded the Aldine Press at Venice in His publishing legacy includes scholarly editions of classical authors, the introduction of italic type, and the development of books in small formats.
31 October – 25 JanuarySir John Ritblatt Treasures Gallery, British Library (96 Euston Rd, London NW1 2DB). Curated by Paolo Sachet, Jill Kraye and Stephen Parkin This exhibition focuses on two interrelated topics. Firstly, it investigates the major achievements of the Aldine press in relation to early printed books such as the development of pocket-size format, Greek and.
Aldus maintained his scholarly interests and his standing as a scholar: his printing house became a celebrated meeting point for learned men from all over Europe, some of whom contributed directly to the firm’s editions, and his last book published in the year of his deathalso in the display, was his own Greek grammar on which he had.
The year marks the th anniversary of the death of Aldus Manutius, founder of the famous Aldine press at Venice. A wide range of activities are taking place worldwide to commemorate the occasion, including a free exhibition in the Sir John Ritblat Treasures Gallery at the British Library, entitled “Collecting the Renaissance: the Aldine Press ”.
The afterlife of Aldus posthumous fame, collectors and the book trade [Warburg Institute colloquia, 32] de Jill Kraye et d'autres livres, articles d'art et de collection similaires disponibles sur The Project Gutenberg eBook, Europe in the Sixteenth CenturyFifth Edition, by A. (Arthur Henry) Johnson.
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Southern Illinois University Press, Aware that categorical thinking imposes restrictions on the ways we communicate, Stephen R. Yarbrough proposes discourse studies as an alternative to rhetoric and philosophy, both of which are structuralistic systems of inquiry.
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20th century literature. Learning at the Library. Accents and dialects. History. World War One. Playtimes. Sisterhood. Timelines. Visits and workshops. Mobile. 19th century books app. UK SoundMap. Podcasts and audio. Our podcasts. Voices of science. The Medieval and Earlier Manuscripts Blog is written by curators in the British Library's Department of History and Classics.
It publicises all aspects of the Library's work on western manuscripts produced beforeincluding our digitisation and cataloguing projects, exhibitions and publications. The first edition published in Greek by the Aldine press was the grammar of Constantine Lascaris, a fifteenth-century Greek scholar who, like many other Greeks, came to Italy in the wake of the fall of Constantinople in The city, as famous for its free institutions as for its art, in the first half of the fifteenth century had come under the tutelage of a family of traders and bankers, the wealthy Medici, who preserved the republican forms, and for a while, under Lorenzo de' Medici (−), surnamed the Magnificent, made Florence the center of Italian.